sabato 16 novembre 2019

3 tips to handle the low end in our mix / master



Hello and welcome to this week's article!
Let's start by saying this: the low end frequencies are the most inconsistent ones in a mix; they are the ones that requires more energy to be reproduced, and the bigger the speaker, the better they will sound.
The fact that a song need to sound good from any type of source (from the 100k high end tube system to the tiny speaker of our phone or laptop) poses a huge challenge to any mixing and (especially) mastering engineer, and it's virtually impossible to create something that sounds perfect from any source, also because we use when mixing (ideally) good reference monitors.


- Hi pass the useless low end rumble: not all the low end is good, there are often useless subsonics below the 50hz that are generated by the breathing in the condenser microphone, or by the singer accidentally touching the mic stand with the foot and so on, that will eat up headroom in your mix without adding anything to the song: better to cut them out.

- Use a spectrum analyzer (click here for a dedicated article with some free download): in this case you can visually see what sometimes is hard to hear, and you can compare the spectrum of your favourite songs with the one you're mixing, to find out where is the low end content and where it should be.

- Use multiple sources, each one will reveal a different aspect of your mix, this way you can perform some troubleshooting before finalizing a song (click here for an article about testing our mix on various sources).

I hope this was helpful!


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